Social Media Platforms as Marketing Tools for Freelancers

I use Facebook, LinkedIn, Bluesky, and Mastodon, in addition to my own website, as part of my business presence. If you're a freelance editorial professional, I think that you should do so too.

To learn what X (formerly known as Twitter) did for me and to read instructions for how to get it to do the same for you, read my article in volume 25, issue 2 of the AMWA Journal. I believe so strongly in the usefulness of such social media platforms that I was once one of the people who serve as the official voice on X for both the Council of Science Editors and the Board of Editors in the Life Sciences.

The book I've coauthored that I've recently posted about here—my first ever authorship of a book produced by a traditional publisher—came my way solely because of X. The book's publisher found me on X, liked how I represented myself and my skills, asked me to contract with them first as a copyeditor and then as a developmental editor, and then offered me the chance to be a coauthor.

My Facebook page is in my personal name, not my business's name. That's because when I signed up for Facebook, I wasn't aware that businesses could have Facebook profiles, and by this point, I don't want to have to do the work of setting up a business profile and then to have to remember to post only nonwork stuff on my namesake profile and only work stuff on my business profile. I do post the occasional personal note on Facebook, such as announcing that I believe I have the sweetest husband in the world, but I don't believe that that reflects negatively on my professionalism. After all, editorial professionals do sometimes have life partners. ;-) But generally, I post information and links about the publishing industry, science publishing, freelancing, and health-care news ... because I am a full-time freelance copyeditor, working mostly with medical manuscripts. Some of my clients have friended me there; lots of my colleagues have. I like Facebook because it's much more up-to-the-moment than my fairly static business website is. As I did with X, I believe so strongly in the usefulness of Facebook that I was once one of the people who managed the Facebook pages of the Council of Science Editors and the Board of Editors in the Life Sciences.

LinkedIn, for me, serves as a more traditional-feeling venue for showcasing my résumé, work background, and related information. I think it's an excellent tool especially for freelancers who don't yet have their own business websites; the free version of LinkedIn will let you display all that you need to without the headaches of setting up and maintaining a website. Your profile will, though, have pretty much the same look as everyone else's on LinkedIn, which isn't the case on your own business website. You can establish your authority and reputation on LinkedIn by participating in group discussions and sharing your expertise when less-experienced folks ask questions. And you can use LinkedIn to find out information about potential corporate clients by studying their profiles.

I figure that through my website, potential clients get a good idea of my professional qualifications. Through Facebook and platforms like Bluesky and Mastodon, they can get a fairly real-time sense of what it's like to work with me and deal with me. Let's face it: Many of us have fired clients because even though they offered plenty of work, they treated us shoddily. It would be great to be able to determine ahead of time whether a potential client is going to be hell to work with or out of touch with industry best practices. Shouldn't I give potential clients the chance to see whether, in addition to being well qualified, I'm also pleasant to deal with and knowledgeable about current events and trends in the fields I work in?


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An Answer to Haters of Comic Sans

You know who you are. Comic Sans is mad as hell and isn't going to take it anymore.


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What Do I Use Twitter For?

My article "I'm On Twitter: Now What Do I Use It For?" is in the current issue of the AMWA Journal (volume 25, issue 2). AMWA (American Medical Writers Association) members can read it here; nonmembers can access it at this link (PDF).

As I say in the article, "Twitter is ... a place to keep up with industry news, learn what industry leaders are doing and thinking about, make new client contacts, and meet and build online relationships with colleagues," and I explain ways to do these things. My industries are publishing and, more specifically, medical publishing, and Twitter is a wonderful tool for me to use in keeping up with those industries.

What do you use Twitter for?


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My New Book!

I heard back from the publisher today about my additions to the book I'm getting coauthor credit on:

The manuscript looks fine to me . . . send me an invoice and we'll get your final payment in the works. [The book was a work-for-hire project.]

I'm glad you enjoyed this project. On our end, you really saved us with the quick turnaround time and quality work. Certainly, as we need books updated in the future—some of those TechCareers publications are about ready to be updated for second editions—we'll be happy to kick some of that work your way.

We'll keep you posted as events warrant on Taking Charge . . . we'll do everything we can to make you and Karen [my coauthor] media darlings!

That made my week! I couldn't have asked for more. I got praise, the promise of more writing work, and the promise of publicity for the book. The publisher, TSTC [Texas State Technical College] Publishing, doesn't have a page up on its web site yet for this new (second) edition of the book, and the current page for the first edition (for which I wasn't a coauthor) is down while the web site is being redone. But here is the publisher's blog post about the book.

The publishing intern who wrote that post also assisted me in doing some of the research for the second edition, and I've asked that she be given credit on the title page as researcher. My publisher has agreed. I'll have a short bio and a head shot on the back cover.

The first edition was 236 pages and cost $40-something. The new edition will be longer, but I don't know the estimate page count yet or the price. If you're interested in getting a copy because someone in your family will soon be a brand-new college student, the ISBN is 978-1-934302-83-5. The book is scheduled to be available this coming September.


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Audio Course: How to Price Projects

A trusted colleague of mine, a medical writer and editor, highly recommends the audio course How to Confidently Price, Quote and Win More Projects at Higher Fees for freelancer editorial workers. For $49 (the live teleclass was $39), you get an MP3 audio file of the class, a worksheet, and a transcript.

I haven't taken the class, and I do not have any connection with it or its creators.


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